This placed the episode in sixth place in its timeslot, and 88th among broadcast television for the week of November 5–11, 2001. An annotation cannot contain another annotation. Buffy The Vampire Slayer feat. John Virant, president and chief executive of Rounder Records, told the Los Angeles Times, "I remember watching the episode when it aired last October, and after it was over, I said to my wife, 'That's the best hour of TV I've ever seen. So we sound our victory cheer Where do we go from here? [12] Whedon acknowledged that the "lyrical, heavenly quality" of Benson's voice led him to assign her the episode's love song. [6] UPN, the television network that aired Buffy's last two seasons, promoted the episode by displaying Gellar's face on billboards with music notes over her eyes, and held a special premiere event. [29], Although "Once More, with Feeling" allows all the characters to confess truthfully, with the exception of Willow, it does not resolve the behavior that demanded confession in the first place. lyrics: DAWN: / Where do we go from here? Anya, buffy, xander, willow, dawn, giles, spike, tara Understand we'll go hand in hand, but we'll walk alone in fear Giles Tell me! Where do we go from here Tambourine Man’; June 21, 1965, Lyricapsule: Nirvana Drop ‘Bleach’; June 15, 1989, Lyricapsule: Derek and the Dominos’ First Gig; June 14, 1970. I inquired at Fox, just following up, and they said, 'Well, we tried, it didn't happen. "[51] The episode was also nominated for a Best Dramatic Presentation Hugo Award and a Best Script Nebula Award, both given for excellence in science fiction and fantasy writing. [36] Giles' "Standing" is a ballad to Buffy that she does not hear, unlike the songs revealing truths elsewhere in the episode. "The Guide: Aerial view of America". [39] Lorna Jowett called the song "the most erotic scene" of the series. [2], Throughout Buffy the Vampire Slayer, music serves as a narrative tool, integral to character development and action. Reviewer Melinda Hill states it is "a must-have for Buffy fans, but it wouldn't be out of place in anyone's collection". ANYA, XANDER Why is the path unclear When we know home is near? When we know home is near. [43] When they all sing the chorus at once to the line "We will walk through the fire / And let it — burn", two fire trucks race behind the Scoobies as they proceed to the Bronze. [45] Musicologist Amy Bauer categorizes the tempo shifts as "rock ballad to punk polka to hymn" that indicates Buffy's turmoil. / Playing with my memory / You know I've been through hell / Willow, don't you see? These were designed to give viewers all the clues they needed to establish all the nuances of the relationships between characters. Buffy nodded at Giles with a sad smile of acceptance. [8], Whedon spent six months writing the music for "Once More, with Feeling". [37] Whedon shot the scene so that Giles moves in real time while Buffy works out in slow motion, to accentuate Giles' distance from her. Read at your own risk! [6][33], Whedon chose the most complicated scene, with the most dancers and choreography in the classic style of musical theater, to accompany an 18-second song ("The Mustard") "to get it out of the way" for more personal numbers later in the episode. This was heightened during the fifth season when he hosted a Shakespeare reading at his house, to which the cast was invited. [75] In October 2007, after a dispute with the Screen Actors Guild over unpaid residuals, 20th Century Fox pulled the licensing for public screenings of "Once More, with Feeling", effectively ending official Buffy sing-alongs. "Once More, with Feeling" explores changes in the relationships of the main characters, using the plot device that a demon—credited as "Sweet" but unnamed in the episode—compels the people of Sunnydale to break into song at random moments to express hidden truths. I just rewatched Buffy, where do I go from here? Once they were established in the twelve episodes of the first season, characters began to change and relationships were developed in the second. In an essay on the use of music in the series, Jacqueline Bach writes that in conjunction with the sixth season themes of growing up, "Once More, with Feeling" gives music a central role instead of keeping it in the background.[5]. They spent three months in voice training. Whedon assigned Emma Caulfield the rock-opera format because Caulfield often sang in such a way to him on the set. ANYA, XANDER Why is the path unclear When we know hope is near?. [31] In his essay "A Kantian Analysis of Moral Judgment in Buffy the Vampire Slayer", Scott Stroud explains that Buffy, as the central character throughout the series, is torn between her desires and her duty, in a Kantian illustration of free will vs. predeterminism, symbolized by her responsibility as a Slayer and her adolescent impulses. [18] Buffy essayist Marguerite Krause asserts that the monsters and demons faced by the Scoobies are thin symbolism for the show's true focus: relationships and how to maintain or ruin them. In the end, it was an incredible experience and I'm glad I did it. Whedon is a fan of Stephen Sondheim, and used him as the inspiration for much of the music, particularly with the episode's ambiguous ending. [72], Buffy the Vampire Slayer developed an enthusiastic fan following while it aired. Quite simply, television at its best. When does the end appear, Buffy learns that the whole town is affected when she looks outside the shop to see a large group (led by series writer and producer David Fury) singing and dancing about how a dry-cleaning service got their stains out ("The Mustard"). When re-runs were aired, several verses of songs were cut. I started reading the comic books and then moved away from the nearby comic store. When we know home is near Understand We'll go hand in hand But we'll walk alone in fear Tell me Where do we go from here? As they sing "Understand we'll go hand in hand / But we'll walk alone in fear", they line up, hold hands, then fling each other's hands away in a piece of what Whedon calls "literal choreography". Tell me where do we go from here. Horrible’s Sing-Along Blog', "Anna And The Apocalypse interview: the director on his zombie musical", "Buffy-oke" does it once more, with feeling, https://en.wikipedia.org/w/index.php?title=Once_More,_with_Feeling_(Buffy_the_Vampire_Slayer)&oldid=1000737373, Buffy the Vampire Slayer (season 6) episodes, Television episodes directed by Joss Whedon, Television episodes written by Joss Whedon, CS1 maint: bot: original URL status unknown, Articles with dead external links from May 2017, Short description is different from Wikidata, Television episode articles with short description for single episodes, Television episode articles with short description and disambiguated page names, Creative Commons Attribution-ShareAlike License. [66], Since the musical episode of Buffy aired, several other series have worked musical format into episodes, including Scrubs, ("My Musical") in 2007,[67] an episode of Grey's Anatomy entitled "Song Beneath the Song" in 2011[68] and Batman: The Brave and the Bold, ("Mayhem of the Music Meister!") Note: When you embed the widget in your site, it will match your site's styles (CSS). SKU: MN0078180 BUFFY, SPIKE Where do we go from here?. So we sound our victory cheer Where do we go from here? Mitchell, Claudia; Reid-Walsh, Jacqueline (2008). Hope ya like it ^^ C Em Dawn: Where do we go from here C Am Buffy & Spike: Where do we go from here F Giles: The battle's done, Am And we kinda won. These include Xander Harris (Nicholas Brendon), a young man without particular strengths or talents, but devoted to Buffy and her calling, and Willow Rosenberg (Alyson Hannigan), a young woman who has grown from a shy but gifted student into a strong woman and powerful user of magic. He attempts to avoid his fears through the song "I'll Never Tell", singing "'coz there's nothing to tell", after summoning Sweet to Sunnydale to show him that he and Anya will be happy. wilt bekijken. from here, Buffy The Vampire Slayer Lyrics provided by SongLyrics.com. [56][57] In 2009 TV Guide ranked the episode #14 on its list of "TV's Top 100 Episodes of All Time". [6], Buffy essayist Ian Shuttleworth writes that Amber Benson (Tara) has "the sweetest singing voice of all the lead players", referring to "Under Your Spell" as "heavenly and salacious"; author Nikki Stafford concurs, writing that Benson "has the most stunning voice, showing a surprising range". [30] In The Psychology of Joss Whedon, Mikhail Lubyansky writes that, although Buffy's first step toward re-engaging with her life is telling the Scoobies the truth in the song "Something to Sing About", she does not find meaning again until the end of the season. [35] Musically, the song uses influences from Ira Gershwin, a Charleston rhythm, and jazz-like chord slides. [9] The actors were initially bewildered; in 2012, James Marsters commented that "it's obvious now that they were good songs but the thing was Joss and his wife Kai, they don't sing very well. Giles forbids the gang to assist Buffy, so she goes alone, despite having no will to do so; eventually Giles and the Scoobies change their minds and leave to catch up. Buffy continues her charade in the chorus number "If We're Together", beginning the song by persuading others to join in one by one, as if each is convinced that she is still invested and in charge, and their strength as a group is infallible. Willow is romantically involved with Tara Maclay (Amber Benson), a powerful but ethical witch. ANYA, XANDER Why is the path unclear When we know home is near? [6] Each of the singers in this song, which "marries soft rock to the function of a dirge", connects musically to earlier songs while foreshadowing Buffy's next number and the final chorus, providing an ominous anxiety. It was the most watched program on UPN that night, and the third most watched program that week, trailing episodes of Star Trek: Enterprise and WWF SmackDown. The one exception was Anthony Stewart Head, who sang in ", Other series portrayed lesbian relationships among secondary characters (. So, where do we go from here? [48] This was a decrease from the 3.7 rating received by the previous episode a week prior. Anya, xander Why is the path unclear When we know home is near? Series Author: littleotter73 Disclaimers: Buffy the Vampire Slayer belongs to Joss Whedon and other companies. I am just borrowing the characters and placing them in my own stories based on the show. Buffy
Miscellaneous
Where Do We Go From Here
Where do we go from here? Christophe Beck, a regular composer for the series, filled in the overture and coda and composed "Dawn's Ballet". Upon divulging this truth, Buffy gives up on singing and dances so frenetically that she begins to smoke — on the verge of combusting as Sweet’s other victims have been shown to do — until Spike stops her, telling her that the only way to go forward is to just keep living her life. The key and tempo slow again, as Buffy finally reveals "I live in hell / 'Cause I've been expelled from heaven / I think I was in heaven" with the chord changing from B minor to B diminished, each time she repeats "heaven". [9], The most complicated song, "Walk Through the Fire", leads all the characters to the climax from different locations for different reasons, reminiscent of the "Tonight Quintet" from West Side Story. Why is the path unclear, "Unsung 'Buffy': Props for A Magical Musical Moment". Anya and Xander's duet is the only song in the episode to address the audience directly. In earlier seasons, this takes the form of simpler pleasures such as dating and socializing, interspersed with defeating evil forces. The Hills Are Alive with the Sound of ... Vampire Slaying! So we sound our victory cheer. In the fourth season The Initiative, a secret military organization whose mission is to evaluate and eliminate demonic beings, rendered Spike harmless by implanting a microchip in his head that causes him intense pain when he attacks humans. GILES, TARA So we sound our victory cheer Where do we go from here? Why is the path unclear, When we know home is near. Hello everybody! Whedon remarked that this touch "is the kind of complete turnaround that is a staple of the Buffy universe". Where do we go from here. Where do we go from here Where do we go from here The battle's done, And we kinda won. Buffy the Vampire Slayer: Once More with Feeling [Musical Episode Soundtrack], "Buffy the Vampire Slayer: Once More with Feeling - Original TV Soundtrack | Awards", "Why You Must 'Tune' In to Tonight's Scrubs Musical! Understand we'll go hand in hand, But we'll walk alone in fear. And I never want to do it again. The battle's done, Cannot annotate a non-flat selection. Book: Go ask malice (Faith's backstory - not officially canon but consistent with every little thing we know from the show) Back to TV: Veronica Mars (a non-magical Buffy), more 90s highschools: Freaks and Geeks, My so-called life Heh. C E D starts and ends within the same node. Verderop vindt u voorbeelden van de partituren van het nummer Where Do We Go From Here?. [6], The dynamic nature of the characters was a unique element of writing in the series at the time. [53], Writing in the Toronto Star, Vinay Menon calls "Once More, with Feeling" "dazzling" and writes of "Joss Whedon's inimitable genius"; he goes on to say "(f)or a show that already violates conventions and morphs between genres, its allegorical narrative zigging and zagging seamlessly across chatty comedy, drama and over-the-top horror, 'Once More, with Feeling' is a towering achievement [...] The show may be anchored by existential weightiness, it may be painted with broad, supernatural brushstrokes, but in the end, this coming-of-age story, filled with angst and alienation, is more real than any other so-called teen drama [...] So let's add another line of gushing praise: 'Once More, with Feeling' is rhapsodic, original, deeply affecting, and ultimately, transcendental. 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